The Relic Master, Christopher Buckely

Intended as a comic romp through the Europe of 1517, much of this novel feels rickety and theatrical, the characters and dialogue anachronistic enough to break the spell of the detailed settings and historical context Buckley has marshalled on their account. As much as those sorts of clashes have worked in films like Monty Python and the Holy Grail, or on paper in Chabon’s Gentlemen of the Road, here they fall flat. One liner note specifically references The Princess Bride, and it may well be that high bar for which the author has aimed and missed; not by a mile, but not by a hair, either.

What has been hit though, is the religious and monarchical context; corrupt institutions manipulating all beneath them to fill their coffers through taxes, conquest and the sale of indulgences, while nobles and clerics fill their palaces with costly religious relics whose absurdity appears to drive the author’s passion as much as anything else we read.   Protagonist Dismas – the Relic master of the title – is an intriguing construct, and a worthy reminder that the single-minded mercantile instincts which guide some of today’s less-enlightened entrepreneurs have existed far longer than our current business models and market segments. That Martin Luther would rebel against such tyranny and hypocrisy is entirely understandable and justified, though his unlikely protection by one of the oppressors comes across as a lucky accident of personalities – or the hand of Providence, perhaps?

For a novel clearly intended to entertain, there are moments of fun, from the bumbling of oafish mercenaries to the triumph of its rag-tag protagonists. Neither Dismas, though, nor Albrecht Durer (the historically-real artist who ends up helping in his scheme), nor even the lovely Magda, an escaped prostitute with a heart of gold (of course) are filled-out any more than we’d expect in an Ocean’s Eleven prequel. Which, come to think of it, is actually not a bad way to describe this piece, but with Medieval technology in place of the modern.

Erudite and critical enough to give the Roman Catholic Church some heartburn when Buckley makes the case for Luther’s protests and the power of the written word, this may perhaps find purpose as a vehicle to educate teen–aged boys about the roots of the Reformation.

Love to see how that goes over with the Harper Valley PTA!

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